Transforming Nature To Art

What it takes to complete a cast leaf pendant and necklace...

Sometimes I'm asked, "How long did this take you to make?" or, not as pleasantly, "Why do these necklaces cost so much?" Since a lot of people just do not realize the time and labor it takes to create craft or art pieces, I decided to add up the time it takes to make just one of my pendants (because, actually, I want to know, too!)

(The numbers in parentheses represent the approximate time for each phase).

First, I have to select a leaf. Do I just run out to the garden and cut a leaf off a plant? No. The leaf has to be without rips, bends, bites, or blemishes, it has to be pleasingly uniform and the right size, and if I'm making earrings they also have to match! THAT alone is a toughie! (10). Then I have to mix the cement and carefully spread it on this light, flyaway 1" leaf. If the air temperature is not just right, it may be too thin and I then have to apply another layer in a day. (20) I then have to peel the leaf off a day or two later, file any messy edges and soak it in water a few days so it cures (20). Then I hand paint it (15). Next the bail is glued on and the "dewdrop" is attached (FYI, I make the dewdrops by actually SPLITTING beads in half!) (15).

 The final procedure is mixing the two part polyurethane THOROUGHLY and spreading the sticky, messy compound on the leaf, going back several times to brush off the excess that pools on the piece (60) It takes 24 hours to dry, and if at that time I discover it had not been mixed enough, the poly will be cloudy and the piece is junk! There is no way to determine that while it is setting. This polyurethane was developed for furniture and the like ~ as usual for me, I use a lot of products for reasons NOT intended for that product, so I have to improvise ~ there are no guidelines or instructions!

SO... once that is finished, I can choose to sell it as a loose pendant, in which case I only have to place them in ziploc bags, punch a hole in it to hang, place a card of heavy black paper (I cut out myself) behind it with the name of the leaf written on it, place the care and description card (also written, printed and cut out by hand) in the bag, and price it! (10)

I sell these for $18.50 (plus tax). So, for 2 1/2 hours of work,this comes to $7.40 hr.

If I do make one of the custom neckchains for it, with the "organic" components such as Freshwater pearls, beads made from semiprecious stones or shell, terra cotta, brass, silver, copper, horn, etc., that adds at least another 45 minutes to the piece (along with the extra cost of the beads). Stringing beads is not brain surgery, BUT it does take time to think about the design and determine which colors and components to use. I sell the pendants with these for about $28, which sets me at the same hourly wage.This is not counting ANY materials cost! Unfortunately,for a lot of artisans, these are GOOD wages, too!

Do they LOOK as if all that work goes into them? I don't think so, and I don't feel that they SHOULD ~ they should look as if the leaf and colors just quietly came together. And that's what I believe is just an element of good Art.

Beadaholicicity

If you ever ask, I will usually tell you that I really have no vices to speak of. Well, that's probably not entirely accurate...and I may have to rewrite that statement! No, I don't drink (a lot)  or smoke, the usual vices that are referred to, but - oh baby, get me near a bead store, and all my control is gone!

...So the spousal unit had to work this past weekend, and that was my chance to go shoppin'! He did accompany me to a bead store in Ann Arbor a few years ago, and ever since that day, I haven't been able to drag him to another (LOL!). No matter - this is a trip best accomplished alone!

 Yes, I still have thousands of beads, and no, I don't create much in the way of beadwork anymore - but since the Faerie Doors have been doing pretty well, I'm running low on the "Faerie" related components (stars, moons, butterflies, etc.). Thus, I persuaded myself that I just HAD to run over there for "a few" of those.

My very favorite bead place in town is "Meant To Bead" - they've been around for years now, and I think they "get" us bead freaks, that is, they have just about anything a beader could want or need! Findings, pearls, Swarovski crystals, wire, tools, thread, - and BEADS! Glass, vintage, pewter, sterling, ceramic, stone, shell, etc., etc. - BAZILLIONS of 'em! In all fairness, I can find less expensive components at my favorite catalog/online store (Fire Mountain) - but if I want unusual beads ASAP, this is the place to go in Toledo (www.meant2bead.com). I rarely don't find what I need there!

These (below) were awesome! Any kind of glassworking, especially lampworked beads, is the same as magic in my eyes...someday, maybe...but for now, I just admire and appreciate the stuff. I almost purchased the top center piece, but since I generally wear my own jewelry (to advertise), I talked myself out of it......for now. ;-)

Black Swamp Arts Festival 2010

Although every art show is the same in many ways, they are also very different from any of the others. Of course, we set up basically the same, have to bring the same materials and supplies, and have the same hopes and goals for the day(s) of the show.

But then, the weather always is an unknown (Check with the weathermen? Yeah, right... ), our "neighbors" are usually artisans we have not seen/met before, and the space or area is never the same. Of course, since I never have two pieces exactly alike,my inventory is constantly changing, too!

Sunday was beautiful...

And something new and exciting (to me!...) always happens at each event I participate in. This past weekend it was...

 1) Several people telling me that out of all the artists there, it was my art they liked the best (a few were men, too),

2) Someone affiliated with the Arts Commission asked me if I would be interested in having a one person show (no details were discussed; but hey, even being ASKED meant a lot!),
3) Hans Ruebel, one of the other artists in the Kuhlman Corp. exhibit, stopped by my booth to say hi, which was very nice of him

4) I made a great trade with Larry (of Lars Glass ~ one of my "Art Show mentors") for one of his Sun Chains, something I had been yearning for thru the past 3 shows we had both been to, and
 5) One woman who acquired a Faerie Door from me 3 weeks ago shared with me that she had been having an awfully bad day at the time, and finding her Faerie Door really brightened her mood ~ wow ~ what more could an artist want?!

...And I'm ashamed to say that I judged someone by their appearance, something I always try not to do ('Cause I have no room to talk!Have you seen how I dress at these things?!)

Anyway, coming back to our booth around the close of the second day, I discovered my husband conversing with a man who looked...well, I'll use his words- "I've been a "bum" all my life!" ( Hey, I work in downtown Toledo ~ believe me, I see a LOT of "bum" like creatures!)...So that was my initial thought, until we spoke with him for awhile, and realized he was no bum, just an artistic, free spirit who lives happily with his wife of 29 years (like us), childfree (also like us!) but not very many similarities beyond that. His wife then joined us, and we had an interesting and fun conversation with them about their lifestyle, (minimalist and mostly "off the grid"), our life, and art ~ and my preconceived idea of them quickly disappeared. These are folks I will remember for a long time... and Sam and Brenda, I look forward to seeing you again!

Levis Commons 2010 - In Retrospect

Art shows are such an experience! I often wonder if I could live my life on the art show circuit - could NOT having a 9 to 5 job make up for the physical labor and worry it takes to do shows? Probably not, especially with my medium - if I had fiber or jewelry, something easily transported, and could fit everything I would ever need into a truck or van, I think I could handle it. OR if I was 20 years younger! ;-)

Anyway, I did participate in the Levis Commons Art Fair this past weekend, and did quite well! Despite a near washout on Saturday and being windblown on Sunday, it didn't seem to faze a lot of the shoppers, and of course, it doesn't harm anything I sell! All of the birdbaths are displayed outside of the canopy, so the display factor was increased Saturday by showing off how just well the birdbaths looked filled with water!

Saw some old friends (Rhonda/Ken and Janine/Jeff!)...and made new friends!....

And I really like to talk to the other artists - every one of them have interesting stories OR great tips on what they do in various situations (like how to keep your canopy's top from filling with water! LOL). I learn something new every show. With this show, I was somewhat concerned that our display was too "homemade" looking compared to everyone else's, but no one seemed to notice or worry about it - they were more interested in my work - as it should be!

I do have to mention The (Michigan) Guild of Artists and Artisans, the same association that organizes Levis Commons as well as the Ann Arbor Summer Art Fair . When I saw all the rules and regulations regarding the show, I actually lost sleep over all of it! Yikes! What if "they" don't like this? What if "they" don't want me to have these things over here? Well, I should not have worried. Evidently those are just set out so if someone IS being inconsiderate or unreasonable, there is something in writing.

Actually, everything was well organized (and VERY well advertised, so I stopped whining so much about the cost to be there). We always pack sandwiches and sundry food items for a show, but they had a very well stocked "hospitality" tent for the artists, with donuts, bagels, water, coffee, bananas (and my sincere appreciation goes out to a couple of local businesses, namely Andrew Z's- for providing PIZZA on Saturday and Max & Erma's for the WARM chocolate chip cookies on Sunday!), so we didn't want for much.

My work, as usual, didn't receive any awards, which is not surprising at an art show like this - there is just too much around I myself would consider extremely Fine Art, but it would be nice to at least SEE a judge glance my way once in a while! Hmmph...

 

Did have fun, nonetheless, despite the rain,the long hours, the wind, the dumb questions ("Oh, does this one hang?" - While pointing to a leaf HANGING up on the lattice... ), and getting thru the inevitable period of time during each setup and takedown where Hubby and I fight the urge to punch each other in the eye! (He's very organized; I'm not - need I say more)?

A New Venue! Levis Commons Fine Art Fair 2010

On August 21 & 22,  I will be set up at the Levis Commons 6th Annual Fine Art Fair. This is the closest to a "real" art fair I have participated in so far, since it is promoted by The Guild of Artists & Artisans in Ann Arbor, MI., which also handles the Ann Arbor Street Fair, the largest art fair in this area of the country. I have not, and probably never will, be involved with that one, since A) I would need 3-4 times the amount of inventory I currently have and B) I would not want to go beyond the capacity of our truck just to haul more cement!

Plus I'm cheap~Levis Commons is costing me plenty, and Ann Arbor would be way beyond that! Of course, it is true that you have to spend money to make money sometimes, but I have my limit. There is a rule of thumb I have heard from other artists, and that is you should make ten times what you spend on the booth fees for it to be considered a very good / great show. Since the fees are conservatively around $700.00 (USD) for one space, and I have maybe, on a GOOD day, $3000.00 in my TOTAL stock, you see how I could never reach that goal (believe me, three grand would make me happy enough, but that would be every last thing I had!)

But, back to Levis Commons ~ expensive though it may be, I'm happy as a rat in a restaurant dumpster to be participating this year. It is a very nice event, plus this is the first year I am finally confident enough to want to be included in the big leagues, and am looking forward to the experience!

..But Wait! There's More!

...So I told a few people, "I can't believe I only got this small blue Victoria Stone - I normally would acquire more than one little piece, unless it was really expensive."

Well, this morning, in my usual rush to barely make it to work, as I was rummaging around in the jewelry I hadn't worn in a while, I came across this....

NOW we're talkin'! A nice large pendant! Oh, yeah, I remember now - I DID order more than one...my poor, blonde mind totally misplaced that information (happens to me all the time, unfortunately!) I don't know if it's actually worth anything monetarily, doesn't really matter - the story is enough to make them valuable to me!

My Victoria Stone And A Pleasant Surprise...

I love the blue skies on a bright sunny day, so I am naturally drawn to that color. Years ago, I found a stone in a jewelry supply catalog called a "Victoria Stone". It was described as being somewhat like as a "Tiger Eye" gemstone, but man made. Instead of the straight inclusions in the stone, there were many fan shaped crystallized patterns. It came in many colors, but of course I ordered a sky blue cabochon (with a smooth polished top and flat back). I also ordered a fairly inexpensive, gold filled ring setting for it. I'm sure in those days I would not have spent a lot for anything like that, so it would have had to be a cheap deal!

I have worn that Victoria Stone on and off as a pinkie ring for many years, and have gotten a lot of compliments on it and inquires as to where I got it. As I was thinking about that, I realized I had not seen those stones mentioned for quite some time, so I went online to check on the reason why. Surprisingly, here is what I found:

“The Story of Victoria Stone”

by Vyonne Mack-WGMS Club Member

This article was printed in the McPherson Rock Club

Bulletin (Kansas)

Victoria Stone is also known as “Imori Stone”,

named after its Japanese creator, Dr. Imori. It is

not an artificial or fake stone. What Dr. Imori was

able to accomplish was to actually blend several

different minerals using a special process known

only to him to come up with an Imori Stone,

commonly called Victoria Stone.

This beautiful reconstructed gem is mineralogically

similar to Nephrite Jade. It has a harness of six,

specific gravity of 3.02 and a refractive index of 1.62.(For those of you who are rockhounds out there! ~ nanci)

It was laboratory produced from natural raw

materials such as quartz, feldspar, magnesite,

calcite, fluorspar, etc. for a total of seven different

minerals-fused together under high pressure and a

high temperature and again mineralized to make this

gem by adding special crystallizers and habit

regulators.

This is not an imitation or synthetic but is a

reconstructed natural stone. The boule of Victoria

stone was slowly cooled down for 35 to 40 days to

make it crystallize into the pretty fan shapes.

Victoria Stone is minerlogically similar to nephrite

jade, but the arrangement of the actinolite crystals

is different. Instead of the crystals interlocking and

tying together as they do with jade, they have

crystallized in fan shapes to provide the beauty of

the stone. As a result of this difference, the rough

stone is more likely to crack or splinter if overheated.

Victoria Stone could be bought by the boule or in

slices when it was produced in 15 different colors

from 1960 to the 1980’s –green, sky blue, reddish

purple, yellow green, blue green, sky indigo,

chocolate, yellow, deep indigo, white, quiet green,

quiet yellow, quiet blue, grey and black.

The faceted Victoria Stone came in 8 colors,

including sapphire blue, emerald green, amethyst

purple, ruby red, topaz, aquamarine, garnet and

peridot green.

This is a scanned copy of an original sales color chart.

Dr. Imori died without confiding in anyone how the

process worked and no one has been able to duplicate it. There is only a limited and nonreplenishable supply of Victoria Stone in existence, when this material is used up to make jewelry and cabochons, it will become scarcer and about impossible to find.

And I found this article, also...

"Victoria Stone (aka. Iimori Stone) is one of the most beautiful stones you may run across. As much as I hate to apply the term “rare” to a stone, this one is very rare. It is rare because it is man made. Dr. S. Iimori, a Japanese doctor, created this stone in his laboratory in the late 1960s or early 1970s.

The sad thing about this stone is that Dr. Iimori was so secretive about his formula, that he took it with him to his grave. If I am not mistaken, in all fairness to the good doctor, he died suddenly in an automobile accident. The primary ingredient of Dr. Iimori’s creation is known but proportions and the secret ingredient is what the mystery remains. Upon his death, Dr. Iimori’s son continued to operate the laboratory but alas, he could not duplicate his father’s recipe.

Dr. Iimori’s primary ingredients were quartz, feldspar, magnesite, calcite, fluorspar, etc. These minerals were crushed to basically a powder then heated to a molten state. He then added his secret ingredient that made the stone crystallize with the wonderful fan shaped patterns in the stone."

So... my cheap Victoria Stone ring is not so cheap after all (I also hadn't realized I purchased it so long ago)! Of course, now I'm wondering why I didn't get more of them at the time...

And, although my stone is a fairly tiny thing, I do believe I will be getting a nicer setting for it soon!

The Quest For The Unobtainable

I bet you think this post is about striving for wealth, or power, or fame - something along those lines. Well, no, it's about my great creative ideas using hardware or craft items UNTIL I find out no one makes the particular items I have in mind!

Well, here's what I mean...Example #1~ I normally don't like to add "silly" stuff to my leaves, but when I first began, I thought the waterlily pads were sort of boring (especially before I started painting my pieces), so I found little ceramic frogs/toads to attach to them, and discovered they were really popular. Enough so that I had trouble finding more! I finally found a local florist shop that agreed to wholesale ceramic toads, snails and turtles to me (they were floral picks), and they worked great! Then the store closed, so that was no longer an option (yes, they even gave me the name of the company, but they ignored my emails). Well, I'd just look online! Oh sure, I found lots of frogs and toads on Ebay - unfortunately, they were either the wrong size, too unrealistic (like wearing clothes or playing instruments ), or "collectible" - i.e., expensive!

 

...So here I am, making molds of the critters, and casting my OWN amphibians in cement! Then I have to paint them...yes, it was a good save, and it makes each one even MORE one of a kind, that's true, but it is also more labor intensive!

Example #2~...When I was much younger, I was fascinated by greeting cards that had glitter and rhinestones glued to them to enhance a scene, a flower, etc. I especially liked the "dewdrops"- tiny clear glass cabochons that looked like dew on flowers. I even got to the point that I would lift all the cards with dewdrops out of the rack, because inevitably, some of the stones would get knocked off loose in the card rack, then I'd pilfer them! (Well, I knew no one was going to go thru them and glue them back on, and I couldn't bear to see them thrown away!)

Here it is, thirty (or so) years later, and I decide that dewdrops would be perfect to add onto my leaf pendants. Simple; I'll just go to the local craft store, right? Well..., not so much. While they had faceted rhinestones up the wazoo, none were smooth! Still, I wasn't worried - again, I was sure I could find them online! Surprisingly, that didn't seem to be the case either. I found only ONE online store that carries them, and first, they are slightly larger than I'd like, and second, they're acrylic while I really had glass in mind.

So here I am, buying little clear glass beads that I'm actually physically BREAKING IN HALF to achieve the look I want! Again, more time and labor!

 

Example #3~I wanted to cast little steel nuts {no Iron Man jokes, please....I'm laughing though -"nuts" is a funny word! :-) } 

into my small bird feeders so I could just buy rods with threaded ends to screw them onto. Guess what? No one MAKES steel or aluminum rods with threaded ends - they are either threaded the entire length of the rod (which is unpleasant looking), or not at all!

.....So here I go again, manually threading aluminum rods individually because NO ONE MAKES WHAT I WANT!!! hmph.

Things You May Not Know...

My work has sometimes been seen in unusual places. The most interesting setting might be here, at St. Luke's Hospital in Maumee, Ohio, where a red cabbage leaf decorates the Birthing Center!

It's a cute spot ; I guess I shouldn't have moved the baby in the picture below- but it was covering my leaf! 

The next spot we are visiting is the Ottawa National Wildlife Refuge, in Oak Harbor, Oh.....

 

Some of my work has been in their Visitor Center - here are some of my leaf pendants in a display.

Curb's Candle Co. in Toledo has carried some of my castings as well.

I am in the process of collecting photos of any of my leaves displayed in the gardens  or homes of people who have purchased them or had received one as a gift. If you also have one, please send it- when I compile enough of them, I'll post those, too.

Back To Beadin'

As I was beading the other day (yes, I still work on jewelry - I love doing it, and I have oh, probably tens of thousands of beads [millions, if you'd count each SEED bead!] all over in my house - gotta do SOMETHING with 'em! ), I realized I really wanted to incorporate the jewelry aspect of my art with the garden side of it.

(NOTE: Don't mention to my husband what a great love I have for beading - he has another side to it! Basically, he just says quietly," I can hear you cussing over there - must be beading again, huh? " I have no idea what he's talkin' about...)


I still do have the cast leaf pendants, but I also have a LOT of what I would call "natural" or "organic" beads - coral, bone, semi precious (garnet, turquoise, pearls), Job's Tears (which I grow myself) - even manmade materials, but still closer to what occurs in Nature - copper, silver, terra cotta, etc. I guess I could even slide by with glass, since it does occur naturally sometimes (near volcanoes!) I have already opened an Etsy shop, but decided to open up a separate store, just for this jewelry, so I now have "Nanci's Organic Jewelry Creations"! I will post the link soon, but since I only have 3 items in there at the moment, it's not too exciting right now!

..Just a fraction of all the beads I really have!

 I'm also making some "Pseudo Pandora" bracelets, just because they're so popular (AND so expensive!). It IS a nice idea, a high quality fashion accessory in which you can add different components or beads to follow seasons, or holidays, or just how you feel that day- and they ARE pretty! But $35 -$45 dollar per BEAD? Seriously? There are websites where you can build yourself a virtual Pandora bracelet online, I tried it out and none of my bracelets came in under $1000.00! So much for that.

..So I decided to make my own, using the many beads I have collected thru years of shopping in bead catalogs, bead stores, craft shops, thrift stores, parents' and grandparents' jewelry boxes - noo, they're not interchangeable like the Pandoras, but I

figure I can make oh, maybe 40 of these for what one of THOSE would cost me! A bead for different holidays? How about a whole bracelet for each holiday!